WRITING
STATEMENT
I have always related to painting as a physical confrontation and experience as much as a visual one. In my painting, the reduction of visual vocabulary to single, uninflected marks of color aims at a direct, simple, and instinctive contact with each work.
This contact is the core of an infinite range of expression.
The activity of painting is spiritual. In an age of “instant information,” the preponderance of which is useless static, it is necessary for the artist to respond by continuing to engage in an activity where each experience, each piece of visual information is transmitted by touch over a period of time.